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Status: Built
Location: Girona
Client: COAC Girona
Collaborators: Vipram (Sponsor)
Photos: Joan Guillamat
Thomas Cole reflected in his painting The Architect’s Dream (1840) the architecture of different styles in an imaginary landscape. Arquitectura Viva illustrates on the covers of its yearbooks a concoction of the most representative works of the year.
Similarly, in Plastic Landscape (Paisaje Plástico) we seek to collect all the selected works for the 18th edition of the Architecture Awards of Girona and create a space of representation, an artificial spot where the public can walk among the highlights of these works.
The exhibition space is divided into a series of vertical surfaces generated with industrial curtains of transparent PVC. Scenes can be crossed by flapping the images that vary from every point of the exhibition. The audience becomes both spectator and actor, inhabiting this plastic landscape. The visions of the works overlap weightlessly, playing with transparencies and creating a play of reflections, where you can stroll, look, and touch. The setup is a small dynamic theatre; it generates a deep space and varies with every step and under each gaze, but above all with each involved actor.
Paisatge plàstic
Awards: FAD (Shortlisted), BEAU (Shortlisted), Arquia/Próxima (Shortilisted), COAC Girona Awards (Shortlisted), Emporia (Silver Award)
–
Status: Built
Location: Girona
Client: COAC Girona
Collaborators: Vipram (Sponsor)
Photos: Joan Guillamat
Awards: FAD (Shortlisted), BEAU (Shortlisted), Arquia/Próxima (Shortilisted), COAC Girona Awards (Shortlisted), Emporia (Silver Award)
Thomas Cole reflected in his painting The Architect’s Dream (1840) the architecture of different styles in an imaginary landscape. Arquitectura Viva illustrates on the covers of its yearbooks a concoction of the most representative works of the year.
Similarly, in Plastic Landscape (Paisaje Plástico) we seek to collect all the selected works for the 18th edition of the Architecture Awards of Girona and create a space of representation, an artificial spot where the public can walk among the highlights of these works.
The exhibition space is divided into a series of vertical surfaces generated with industrial curtains of transparent PVC. Scenes can be crossed by flapping the images that vary from every point of the exhibition. The audience becomes both spectator and actor, inhabiting this plastic landscape. The visions of the works overlap weightlessly, playing with transparencies and creating a play of reflections, where you can stroll, look, and touch. The setup is a small dynamic theatre; it generates a deep space and varies with every step and under each gaze, but above all with each involved actor.