Sarquella
Torres

Sarquella Torres is an architecture studio based in Banyoles, founded by Pau Sarquella and Carmen Torres.

The practice works across a wide range of scales and formats, from furniture and industrial design to housing, public buildings, and exhibitions. Projects often emerge from limited means and specific constraints, responding to social needs and environmental pressures through direct and carefully considered solutions. Rather than pursuing a fixed formal language, the studio is interested in how architecture is shaped by context, use, and time, allowing space for adaptation, precision, and a certain degree of lightness. The studio’s work has been widely awarded, published, and exhibited.

Alongside their professional practice, both founders are actively involved in architectural education. Pau is Associate Professor of Architectural Design at EPSARQ–UdG and ETSALS–URL, and Carmen is Associate Professor of Architectural Design at ETSAV–UPC, where her teaching and research activities have received academic recognition. Both have also taught at INDA, Chulalongkorn University in Bangkok.

Beyond the studio, Pau co-founded Persiana Barcelona in 2014, a research-driven design initiative focused on reimagining the traditional roller blind. The product, has since been incorporated into a wide range of architectural projects.

Pau Sarquella and Carmen Torres are co-curators of the UIA World Congress of Architects Barcelona 2026, held under the theme Becoming. Architectures for a Planet in Transition.

 

Current and past team members:

Pau Sarquella
Carmen Torres
Luís Villamil
Marta Farinha
Alicia Marco
Joana Plana
Jerome Lorente
Guillem Quer
Jorge Fernández
Pimpakarn Rattanathuawat
Vitchapol Taerattanachai
Suthida Lertpanichphan

Sarquella Torres

hola@sarquellatorres.com
@sarquella.torres

Carrer de la Canal 25
17920 Banyoles

Grid / List
Year
Project
Location
Category
2026
Ersilia Scientific Research Residency
Porqueres
Residential
2026
Sant Martirià 89
Banyoles
Residential
2026
Rodes Public Playground
Banyoles
Public Space
2025
Banyoles
Public Space
2025
Banyoles
Public Building
2025
Can Biel
Mieres
Residential
2024
Barcelona
Ephemeral
2024
Olot
Ephemeral
2024
Banyoles
Residential
2023
Banyoles
Exhibition
2023
Europan 17
Lochau
Public Building
2023
Jaume I
Girona
Residential
2022
El millor disseny de l’any
Barcelona
Exhibition
2022
Cannes / Munich
Ephemeral
2022
Pa Negre
Girona
Retail
2021
Cinc Cèntims
Banyoles
Exhibition
2018
Cuinats Jotri
Girona
Ephemeral
2018
Dum Yai
Public Building
2018
INDA Parade
Bangkok
Ephemeral
2017
El guapo d’en Narcís
Girona
Ephemeral
2017
Palafrugell
Public Building
2017
Carns Vila
Girona
Ephemeral
2016
Patis Cinètics
Palma de Mallorca
Ephemeral
2016
Girona
Exhibition
2014
Persiana Barcelona
Barcelona
Ephemeral
2013
Habitatge sota una coberta
Celrà
Residential
2013
Celrà
Retail
2013
Girona
Ephemeral
Banys Vells
Banys Vells

Status: Ongoing
Location: Banyoles
Client: Ajuntament de Banyoles
Collaborators: Marc Riera (Architect), Xavier de Bolós (Building Engineer), Blázquez Guanter (Structural Engineer)

Banys Vells

The project for the first public baths in Banyoles, known as the Banys Vells, was designed by the municipal architect Francesc Figueras and arose from the high unemployment during the Spanish Civil War (1936–1939), which led to the promotion of public works.

It consisted of an enclosed compound with about twenty individual bath cabins and two communal ones, accessed through a central gate that separated the men’s and women’s areas. The building was the fence, and the fence was the building.

Between the building and the lake, a large sandy area allowed for bathing, also divided by gender. Two wooden piers at each end of the beach served men and women separately. Access to the water was very comfortable, thanks to the gentle slope of a small beach located between the two piers.

Overall, the space was spacious and successfully conveyed the function of public baths. This made it possible for many residents of Banyoles to use the facility for personal hygiene at a time when many homes lacked dedicated bathing spaces.

Banys Vells

Designed by Josep Miàs and built in 1997, the new Banys Vells reorganised the site around the historic perimeter fence, which continued to contain the changing rooms and service areas. Beside it, a series of lightweight pavilions with timber structures and blue metal roofs housed a new bar and its kitchen among the trees, opening to the lake through removable enclosures that allowed the space to function both as an open-air terrace and as a sheltered interior. The contrast between the ochre wall of the service block and the blue metallic volumes gave the ensemble a distinctive identity while preserving the informal, lakeside character that had long defined the place.

Completing the intervention, Miàs designed a semi-transparent fence with steel and slatted panels displaying the words “BAR – BANY – BANYS VELLS – BANYOLES”, acting both as an enclosure during the season and as a sign that opened entirely to reconnect the site with the lakeside promenade.

Banys Vells

The new project for the Banys Vells begins with a careful reading of the building designed by Josep Miàs in 1997, where two construction systems defined the architecture: the linear ochre masonry block containing the changing rooms and services, and the three lightweight pavilions with blue metal roofs, timber structures and skylights looking toward the trees. Decades of intensive use as a restaurant have altered this balance, introducing opaque enclosures, improvised storage, and modifications that obscure Miàs’ original spatial clarity and compromise functionality.

The intervention reorganises the bar and pavilion areas to recover transparency, improve circulation and restore the intended relationship between interior and exterior. The kitchen, heavily altered over time, will be expanded and reconfigured by integrating the former entrance and ticket office, providing a more efficient service space while clarifying the original volumes. The changing rooms and toilets will be renewed, solving humidity issues and adapting the spaces to current regulations, restoring their role within the facility.

A central part of the project focuses on the lakeside environment, where the success of the restaurant has largely displaced the bathing activity. The proposal introduces a new wide, gently sloping floating deck that recovers the direct relationship with the water, improves accessibility for all users, and clearly separates bathing from the restaurant terrace. At the same time, the project removes the accumulation of temporary shading structures and restores the idea of “being under the trees”, planting new plane trees to create natural shade and reinforce the lakeshore landscape.

Finally, the second phase of the intervention will restore the transparency and legibility of Miàs’ semi-open fence, which originally displayed the words “BAR – BANY – BANYS VELLS – BANYOLES” and connected the building with the lakeside promenade. Overall, the project seeks to ensure the long-term viability of the Banys Vells by combining functional improvements with a respectful recovery of the architectural and landscape qualities that define this privileged site on Lake Banyoles.

Banys Vells

Banys Vells
Banys Vells
Banys Vells
Banys Vells
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Banys Vells
Banys Vells
Banys Vells

Status: Ongoing
Location: Banyoles
Client: Ajuntament de Banyoles
Collaborators: Marc Riera (Architect), Xavier de Bolós (Building Engineer), Blázquez Guanter (Structural Engineer)

Banys Vells

The project for the first public baths in Banyoles, known as the Banys Vells, was designed by the municipal architect Francesc Figueras and arose from the high unemployment during the Spanish Civil War (1936–1939), which led to the promotion of public works.

It consisted of an enclosed compound with about twenty individual bath cabins and two communal ones, accessed through a central gate that separated the men’s and women’s areas. The building was the fence, and the fence was the building.

Between the building and the lake, a large sandy area allowed for bathing, also divided by gender. Two wooden piers at each end of the beach served men and women separately. Access to the water was very comfortable, thanks to the gentle slope of a small beach located between the two piers.

Overall, the space was spacious and successfully conveyed the function of public baths. This made it possible for many residents of Banyoles to use the facility for personal hygiene at a time when many homes lacked dedicated bathing spaces.

Banys Vells
Banys Vells

Designed by Josep Miàs and built in 1997, the new Banys Vells reorganised the site around the historic perimeter fence, which continued to contain the changing rooms and service areas. Beside it, a series of lightweight pavilions with timber structures and blue metal roofs housed a new bar and its kitchen among the trees, opening to the lake through removable enclosures that allowed the space to function both as an open-air terrace and as a sheltered interior. The contrast between the ochre wall of the service block and the blue metallic volumes gave the ensemble a distinctive identity while preserving the informal, lakeside character that had long defined the place.

Completing the intervention, Miàs designed a semi-transparent fence with steel and slatted panels displaying the words “BAR – BANY – BANYS VELLS – BANYOLES”, acting both as an enclosure during the season and as a sign that opened entirely to reconnect the site with the lakeside promenade.

Banys Vells
Banys Vells
Banys Vells

The new project for the Banys Vells begins with a careful reading of the building designed by Josep Miàs in 1997, where two construction systems defined the architecture: the linear ochre masonry block containing the changing rooms and services, and the three lightweight pavilions with blue metal roofs, timber structures and skylights looking toward the trees. Decades of intensive use as a restaurant have altered this balance, introducing opaque enclosures, improvised storage, and modifications that obscure Miàs’ original spatial clarity and compromise functionality.

The intervention reorganises the bar and pavilion areas to recover transparency, improve circulation and restore the intended relationship between interior and exterior. The kitchen, heavily altered over time, will be expanded and reconfigured by integrating the former entrance and ticket office, providing a more efficient service space while clarifying the original volumes. The changing rooms and toilets will be renewed, solving humidity issues and adapting the spaces to current regulations, restoring their role within the facility.

A central part of the project focuses on the lakeside environment, where the success of the restaurant has largely displaced the bathing activity. The proposal introduces a new wide, gently sloping floating deck that recovers the direct relationship with the water, improves accessibility for all users, and clearly separates bathing from the restaurant terrace. At the same time, the project removes the accumulation of temporary shading structures and restores the idea of “being under the trees”, planting new plane trees to create natural shade and reinforce the lakeshore landscape.

Finally, the second phase of the intervention will restore the transparency and legibility of Miàs’ semi-open fence, which originally displayed the words “BAR – BANY – BANYS VELLS – BANYOLES” and connected the building with the lakeside promenade. Overall, the project seeks to ensure the long-term viability of the Banys Vells by combining functional improvements with a respectful recovery of the architectural and landscape qualities that define this privileged site on Lake Banyoles.

Banys Vells

Close